Lab Mode & False Colour using Photoshop CC

Continued

Clive R. Haynes FRPS

 
Adventures with Lab Color Mode
 

To allow flexibility and re-editing, follow this route:

With the Background Layer Active:
Go to the Adjustment Layer Icon (base of Layers Palette) and choose Levels. See below.

In the Levels Properties Palette, change the Channel from Lightness to (channel) 'a'. See below.

 
Above: Choosing the'a' Channel
 
Above: The Intial Histogram for 'a' Channel
 

Move the left and right 'triangle' cursors to one each side of the narrow ('a' Channel) histogram.  This has the effect of broadening the histogram and revealing the range of magenta/green. 

The accompanying Histogram 'grab' illustrates the expansion.  The midpoint 'triangular cursor' is also available for adjustment. Experiment with this. 

Above: 'Expanding' the Range for 'a' Channel Magenta/Cyan
 
The result is often colourful and dramatic

Above: The effect of 'expanding' the 'a' Channel in Lab Mode

Next: Expanding the 'b' Channel
Remaining in the 'Properties' palette select the 'b' Channel and make a similar adjustment. This will affect the blue/yellow range.

For illustration, the image below has been separated from the composite view which would otherwise show the combined result of 'a' and 'b'. If you begin with the 'b' Channel then you will see the blue/yellow colour range first.

Above: The effect of 'expanding' the 'b' Channel in Lab Mode, showing 'b' Channel only



Whichever Channel you start begin with you will see the effect of either 'a' or 'b' first.  If you like what you see, you don't have to adjust the other Channel.

Below is the initial result of adjusting the 'sliders' for 'a' and 'b' Channels

 
 

Above: The result of 'tweaking' the right hand 'slider' for the Histogram the 'a' Channel
to emphasise yellow

 

Just in case you are wondering, the 'Output' Levels (greyscale) slider in the Levels Palette can also be adjusted, the two cursor points even crossed-over to create a 'negative' output. This is something else to experiment with.

To continue, please click on the link below

Continue

Return to Start
of Digital IR Section

Know-How Contents
Homepage
e-mail CRHfoto