PEN & INK TECHNIQUE
Clive R. Haynes FRPS
The three techniques
that follow alter the appearance of the pen & ink effect, all add colour back
into the image by different means which are: The various techniques described can be intermixed and other possibilities experimented with Layer masks may be added to erase and expose different parts and stages of the image | |||||
NB: All the techniques that follow take their starting point as being the final image and layer arrangement as described on the final page of the Pen & Ink Technique (i.e. the page before this one) with the layers arranged as below | |||||
Blending
the 'Pen & Ink' layer | |||||
The starting Point | |||||
Merge the 'Threshold', 'Curves' and Background copy layers by switching off the eye icon on the Background (bottom) layer and make the 'Background Copy' the active layer. | |||||
Next... | |||||
Activate the uppermost layer then go to Layers > Merge Visible | |||||
Switch the Background
layer ('eye') back on again Return to the newly merged layer (above) | |||||
Scroll through the Blend Modes for this layer and observe the different results | |||||
A quick way of scrolling through layer blend modes is to activate one of the top four tools in the Tool Box, then hold down the Shift key and by pressing Plus (+) or Minus (-) on the keyboard top row (not the numeric pad), the blending modes can be scrolled through one after the other. Plus goes forward, Minus goes back | |||||
Blend Modes | |||||
Pen
& Ink version combined with original image in 'Soft Light' blend mode | |||||
For
another method, click below | |||||
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