'Adding a Sky and Preserving Detail'
Clive R. Haynes FRPS
Frequently,
we take a shot of a landscape,
the lighting is right, the subject is appealing but the whole effect is
let down by the absence of a good, strong sky. The image below has potential but lacks a dramatic sky to really make the scene come alive. Putting a new sky in with Photoshop is quite straightforward, however problem areas do occur where small details need to be retained. The image below, with all the twiggery around the roofline is one such example. What follows is a quick and effective method of adding a new sky to an image where the sky area is blank or bland (that is to say, it doesn't contain clouds that will cause a conflict) and where we wish to preserve intricate detail. |
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Above:
This image of the ruined house with twigs and bland sky will be our example
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The Method Open the picture as a Background Layer Choose your sky image
and either 'drag and drop' it onto the Background layer by using
the Move Tool. |
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Above:
The dramatic sky to be added
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Above:
Layer order with sky image imported
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Above: Sky
layer set to blend mode 'Normal'
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With the Sky layer active, change its Layer Blend Mode to 'Multiply'. To do this, go to the Blending Modes ( the little horizontal box, top left of the palette with 'Normal' showing) and click on the drop-down arrow. From the list that appears, select 'Multiply'. Upon doing this, the imported Sky will immediately fill the bland sky area and provide a hard cut-out effect along edges of buildings, trees and around branches. All you have to do now is to erase the parts of the sky where it covers inappropriate areas, trees etc. |
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Above:
Sky layer set to blend mode 'Multiply'
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The
best way to carefully remove unwanted areas of sky the preferred method
is by the use of a 'Layer Mask'. The Layer Mask Icon looks like this......... |
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Select a brush and set your brush size Make certain that the Foreground Colour is Black and the Background Colour is white - see below The Foreground / Background Colours and icon......... |
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With
the foreground colour set to black, paint out the areas of the sky you don't
need. Should you wish to restore an area swap the foreground colour to white. |
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NB Make certain you recognise which icon is which. Look at the icon to the right of the 'eye' icon in the layers palette, now, do this: a) Click in the image (thumbnail) rectangle of the active layer and the Layer Mask (grey square with a white central circle) icon changes to a brush icon b) Click in the Layer Mask rectangle and it changes back again to show the Layer Mask icon . This is important - painting on the Layer Mask needs to be done with the Mask icon visible, whilst work on the image itself must be done when the Brush icon is visible. |
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Carefully
work around the edges of the sky where it meets the building and twigs to
make a convincing join. Vary the brush opacity to suit. Where there is fine
detail set against the sky you can leave much of it as the 'Multiply' blend
mode will separate it for you - magic! If necessary, the opacity of the sky layer may be reduced to suit the scene. |
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Above:
Layers showing painted out area of sky in layer mask 'thumbnail'
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Above:
Sky area in progress of being 'painted out' with black paint in Layer
Mask
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To increase the drama of the scene apply some 'Gradients' to carefully darken areas. Create a new (empty)
layer at the top of the layers stack by clicking on the New Layer icon
at the base of the Layers Palette For more detailed information on this topic see link at base of page. |
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Above:
Gradient Layer added
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Related
Topics
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