Digital Make-Up |
Having made selectedf the area to apply the make-up we need to choose a colour. There are three ways to do this but I'm going to opt for 'Colorize' via Hue & Saturation. |
Click on the Adjustment Layer icon (half black / white circle) at the base of the Layers Palette and from the drop-down list choose Hue & Saturation. |
Tick (check) the 'Colorize' box. |
NB: To better understand this exercise, I suggest you choose a bright, warm tone, such as a strong violet shade, as illustrated below. |
The
next step is to work on the other eye and this is very easy. Continue with the soft-edge brush and with white as the foreground colour, paint the eye-shadow into the area above the other eye. Changing the opacity of the brush will alter the density (a graphic pen & tablet is particularly useful for this). If you wish to correct an error, swap to black as the foreground colour. In this way the area of eye-shadow for both eyes can be extended, reduced and refined. Alter the Layer Opacity to suit the subject. We now have two eyes done. |
I can't say that I'm really wild about the colour for the eye-shadow or therather wide area covered. Here's the way to change it: Return to the Hue & saturation Adjustment Layer, double-click the left-hand rectangle The Hue & Sat box opens again. Adjust the colour to your preference. I'm going for a warmer, darker tone this time. Click 'OK'. Adjust the Opacity for the Adjustment Layer to your preference. |
Don't forget, use the Mask area of the H & S Adjustment Layer to edit the extent of eye shadow. To erase, use the Brush Tool with Black as the Foreground to add, use White Foreground colour. |
Above: This is a better eye-shadow tone and extent. |
Using the same method, the next stage is to apply make-up to the lips and cheeks. You'll end up with three Hue & Saturation Adjustenet Layers (one for each area). The finished result is above. Tip: Should you wish a darker shade of colour, revisit the Hue & Saturation Adjustment Layer and reduce the setting for the Lightness slider. |